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[And if you don't believe that, remember, A-list blogger's idea of "conversation" is ranting from on-high to their audience below, and possibly bullying critics - it bears very little resemblance to any sort of reasoned exchange of concepts with equals.]
conversation? :-)
Brody what he thinks of the whole thing.
I agree. It will be interesting to see how the AP treats the news aggregators like Mixx and Digg. A flurry of takedowns? A lawsuit? All for the crime of sending them increased traffic?
I hope they sue and someone's willing to litigate the issue. Somehow, I think the suit would probably be dropped before the AP allowed a ruling against them to become unwanted precedent.
Well... no, not really. The point of a dialogue isn't to listen to someone's point of view and accept it. The point of a dialogue is to listen to someone's point of view, and then tell them why they're wrong (or right, of course!)
So the point of listening to the AP and talking to them is to tell them that, actually, not only have they been badly-advised as to the laws on fair use as there is a strong liklihood that they would lose any case they brought for the kind of use they're attacking, but that in framing their approach in the way they have been, they are courting a PR disaster.
Matt thank GOD you resisted the excessive hyperbole that, according to Saul, challenges the credibility of the blogOsphere.
Meanwhile I'm checking with AP about discounting Web 2.0 stories because you don't need nearly as many vowels as before. Flickr for example.
The novel theories put forth regarding the AP setting policy and legislating Fair Use is a non starter.
In the first place, Fair Use is a Federal Law, which is not subject to change by pronouncement.
Because of the 4 factors to determine the line between Infringement and Fair Use is always ends up in a courtroom, as there is no percentage, number of words or any other defined standard,other than the one we make ourselves.
The more important issue and most interesting is the DMCA Notices on the allegedly infringing works do not come from the AP, but from sites that are syndicating the AP stories.
Is the AP acting as a guardian ad litem for it's members, and as a result getting a second bite of the apple, by billing the members for court costs?
Have any of the quoted stories been remodeled on the member sites, bringing up the question of transformative works, and therefore subject to a new copyright?
There has been a lot of discussion of the various 4 factors that may be put forward as claims in court, the sexiest being :
'the effect of the use upon the potential market for or value of the copyrighted work.'' since these folks are all about the benjamins.
Here again I question the survivability of this as the AP has already sold this to the sites in question, making monetary damages unlikely.
I have my own rambling thoughts on these.
The Death Rattle of the Associated Press
The Associated Press, Fair Use, Copyright, and the rest of us.
An Open Letter to Jim Kennedy, Vice President; Director of Strategic Planning @ Associated Press
The G&M in Section 3 of their own terms of service don't allow me to copy and past any of their Content. "Except as provided herein, you agree not to reproduce, make derivative works of, retransmit, distribute, sell, publish, communicate, broadcast or otherwise make available any of the Content obtained through a CTVGMPI Site or any of the Services, including without limitation, by caching, framing or similar means, without the prior written consent of the respective copyright owner of such Content."
http://www.theglobeandmail.com/help/termsandcon...
Granted they haven't sued anyone. But It would be nice to know they won't.
the AP thing came up). For what it's worth, I don't think we've ever
gone after anyone for simply quoting a few sentences -- although
obviously I can't promise that it would never happen, because that's
not my department. But I'm pretty sure it's just there to prevent
wholesale copying or scraping.
Maybe someone should get Geist to write up a Fair Use of On line Media (read corporates) maintaining appropriate linkbacks, on line use only, etc. and then ask at least our Canadian Guys to sign on. Might save us any worry, or and AP like issues in Future.
I should also point out that "Drama 2.0" is a registered trademark in the Republic of Liberia, Transnistria, Panama, the Democratic Republic of the Congo and Burma and your unauthorized use of this mark may be in violation of my rights.
If you are interested in seeking a commercial agreement to license the Drama 2.0 mark, please contact me and I will put you in touch with my legal representatives in North America.
will be in touch in order to take the appropriate steps.