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I read this and the first thought was, "Who paid comScore for this?" I was also looking for statistical error figures and sample size, but none of the news outlets that printed this story bothered with such "details".
So 40% of 1.2 million = 480,000 x $4 = 2 million in PURE PROFIT. There were no printing costs, no advertising costs, no distribution costs.
An artist typically might see at most $1.25 in profit for a CD sold via traditional channels through a major label. So Radiohead would have earned $1.5 million from selling the same number of CDs. That is, of course, assuming that they would have sold 1.2 million in a month at $18 a pop, which seems very unlikely indeed. Wouldn't you expect that among those people who didn't pay this way, many would have just gotten a copy from friend or bittorrent anyway?
Bottom line is, even looking at the worst possible scenarios to compare this with old-school distribution, they made out - and chances are they made out WAY better than the worst case scenario. And not a cent went to the increasingly-less-relevant recording labels and RIAA.
I think it would be premature to say that such a strategy would work for a relatively unknown band just starting out. In other words, Radiohead is already very well known, they almost don't need the marketing and PR machine that a huge label provides because people like myself seek out every last piece of Radiohead music they can get their hands on. Such a strategy may work well for a band that already has a reputation.
This may have been game changing for Radiohead, and ultimately it will put pressure on the major labels to move closer to this model. But, you can't ignore the fact that Radiohead could only succeed because they are capitalizing on the previous work of a record label.
(Disclaimer: I paid for the download, everyone I know paid something for the download. I am a sucker.)
http://2aday.wordpress.com/2007/11/08/radiohead...
And you aren't a sucker for paying for it. I also paid for the album because 1) I like their music and am willing to pay for it, and 2) I want this experiment to succeed so that other bands are interested in trying alternate ways of distributing their music.
1. Push labels to sign bands for longer-term deals which preclude any sort of independent distribution. You sign with us for 20 years, we have exclusive rights for everything until you are 50 years old. The "we want to capitalize on the money we spend on your behalf" clause. OR,
2. Democratize the industry.
The pessimist in me thinks that the industry is just going to use Radiohead's success to clamp down on artists even more. You have to imagine that there are at least two record executives trying to figure out how they can prevent the next big thing from doing this five years from now.
I agree, I'm not a sucker, I was joking. I should've paid much more than I paid. It's a good album.
Radiohead's last THREE records were posted online through Napster or whatever file sharing software was popular at the time....
UP TO THREE MONTHS before the legitimate major label release.
In reality, Radiohead simply bypassed the pirates and made money in the process.
Hooray for them...it's their best record since OK Compuer or The Bends, and they made a tremendous stink in the process. Me? I'll be buying the big box.
I paid $10.00 USD for the download and comscore can kiss my bahookie.
The one thing we do know is that Yorke has made his wish come true and given the industry a shake it was long overdue for.
It's pointless looking at how many people paid nothing. What's important is how many paid and how much? And any way you slice it, they sold more copies and made six times more profit on every sale. I'd label that a success no? Hmmm, who benefits by saying it's a failure? Anyone?